THE READING ROOM (2000)

LBD 040007 (LaBraD'or Records)
Dutch concept compilation album containing
the exclusive 9˝ minute Galahad track The
Pleasure House.
The Reading Room is the outcome of a
multinational project initiated by Dutchman Marc
Brassé. As well as being a musician in his own right, Marc runs
a record label, LaBraD'or
Records, through which this album is released. It was he
who devised its core 'concept' the story of The Keeper, who looks
after the books in the eponymous Reading Room, who one day finds he's
able to transport himself into the worlds represented by paintings hanging
on the walls of the room, and is forever changed as a result.
Marc contributes one track to the album (and the lyrics for another),
but the rest come from other acts (including a couple of label-mates)
from Holland, England, Italy, Sweden and Australia who
were invited by Marc to produce original and exclusive songs for the
compilation, each forming one part of the story of The Keeper's adventures.
Brassé narrates at certain points throughout the album, introducing
and providing a context for the individual tracks.
TRR opens impressively with the scene-setting The
Reading Room by Brassé himself (with friends), featuring some
dramatic keyboard effects. Up next are Swedish outfit Galleon,
who provide a solid, heavier song in The Private
Space, which has some big big lead guitar work. Silent
Land, by Italians Night Watch,
is an intense, asychronous piece, whose influences are self-evident.
Vocals are Gabrielesque, and the instrumental passages wouldn't be out
of place on Close to the Edge. Ironically,
it ends up sounding like a Citizen Cain
track, but it's compelling stuff nevertheless. It's followed by Aragon,
from Australia, with their rather more straight-forward fare of The
Last Supper.
Then comes The Empress from Like
Wendy (also Dutch), which again doesn't seem to be breaking new
ground until you reach its final minutes, when some majestic keyboard
parts happen, accompanied by poignant vocals. Final
Conflict with The Janus sound
English (and indeed they are), and vaguely folky. They're certainly
not afraid to try out a multitude of ideas on this track, but the execution
isn't always up to the job. Aiden by
Maryson would have been pedestrian but
it's saved by some groovy instrumental segments.
And then come our own chaps with The Pleasure
House. (There are two short MP3 samples from this track to download
here
and here.)
It's arguably the most original contribution to the album, certainly
in terms of its structure. Recorded post-Following
Ghosts, it's curious that its sound is reminiscent of pre-FG
days; plenty of swirling Mellotronic atmosphere from Dean,
Roy providing tension with a heavyish
guitar narrative, whilst Stu recounts
our hero's eye-opening exploits in murky Victorian London with relish
and the customary clarity.
This version clocks in at 9:46, so it's a significant item in the Galahad
opus (and even then was edited down from an initial 13 minutes).
The CD concludes somewhat disappointingly with Searching
by Jacob's Ladder, which is insipid
enough to be an Andrew Lloyd Webber
composition, followed by a short upbeat jazzy instrumental passage Getting
the Picture by another Dutch act Cliffhanger.
Overall, though, this album works: there's sufficient strength in the
better tracks, there's variety and there's colour. It's effective both
in its own right and (for people like me who don't have a particularly
wide listening base) as an excellent introduction to the music of some
acts they might not be familiar with. And at just a tenner (which includes
P&P within the UK) from Avalon Records
here, there's little excuse
not to take the plunge!
Stu C
Reviews
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of Choice
Track Listing
- The Reading Room, Brassé
- The Private Space, Galleon
- Silent Land, Night
Watch
- The Last Supper, Aragon
- The Empress, Like
Wendy
- The Janus, Final
Conflict
- Aiden, Maryson
- The Pleasure House, Galahad
[mp3
sample 1] [mp3
sample 2]
- Searching, Jacob's
Ladder
- Getting the Picture, Cliffhanger